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Oddly, this is not the only manga adaptation of Osamu Dazai's novel. It is the only adaptation you will need, but it is not necessarily easier to read than the original. It is pages of interrelated scenes, and masterful, atmospheric artwork, which require just as much concentration as any piece of Japanese literature.

Junji Ito tackled heavy, mature themes for this one, and departed from his usual scare tactics to introduce us to the deep storytelling and psychological strain characteristic of the important novelist.

Far denser and more consistent than Ito's other long works Tomie, Uzumaki, and Gyo it resembles his adaptation of Frankenstein in some ways. It is of course dark and somber, creepy and lurid, demented and nightmarish. Only by reading thousands of pages of his work was I able to come to a decision on how I felt about Junji Ito's method. In short, I grew to love it over time.

The subject matter of No Longer Human is some of the most difficult imaginable. We are faced with the demons of the human heart over and over, through the reprehensible actions of one of the least likable main characters of all time. I've read other Dazai works, and from what I can tell, his themes are not always quite this pessimistic.

It is about the loss of what makes us human - our compassion for others. Only by subsuming the selfish urge to constantly fulfill our unreasonable desires can we become truly human. It takes effort to look past the horrid behavior of the characters and see the underlying message.

Using the text from the translation of the novel by Donald Richie, this is a fairly faithful adaptation. And a literary one. Junji Ito appears to have taken the subject seriously and set out to craft a nuanced, complex portrait of a man, surrounded by the mostly well-meaning women, through which he discovers the appetites and weaknesses in himself, that lead to his ruin.

It is a painful story at times, but human weakness, death, anger and jealousy are all profoundly important aspects of our species. Dazai posits that humans cannot define themselves except in relation to other people.

Many of his views might be considered old-fashioned today, but the deep understanding of some of the fundamental aspects of humanity can still be widely appreciated. This is not a work for children, and perhaps young adults will also have to struggle to detach themselves from the surface level lust, grit and angst of the graphic novel. Being an adult offers experience, in my opinion, which at least in my case, allows me to regard a work of art as a product of a life lived and transposed.

It wasn't until I aged that I felt experience entering into art. Talent is one thing, experience is another. There is a wide range of experience here, even if the emotions verge on the animalistic.

Don't let Halloween pass by without a meeting with the real king of horror: Junji Ito. Reading it along with the original novel was a unique experience. Harry Jahnke. I feel like you could teach an entire college course on this book.

This was Good and sad and horrifying and terrible and just so damn good. I want to make this a book club pick just so I can have a group to discuss it with. I loved the rawness of this book, the unforgiving sharp edges of it. Highly recommend. This was an incredibly interesting adaptation, where Ito was not only transforming the original literature into a new medium manga aka a visual medium but also into a new literary genre from lit fic to horror.

But overall, I didn't LOVE this and had a lot of issues of the portrayal of women and the use of women as "demons" and the cause of all men's woes and troubles. Rachel TheShadesofOrange. This is a story of depressed, mentally ill man with a troubled past full of sexual abuse. Sadly, I cannot recommend it. Well then.

Once there was a horrible man. Growing up in an oppressive household, experiencing sexual trauma at a young age, a boy becomes a clown as a means of hiding all that is within him. This becomes a shield but a sword too, for his incessant hiding evolves into compulsive lying. He never wants to rock the boat, but he instead punctures the hull. This trait, this defense mechanism becomes his driving force, leading to a life of choiceless indecision.

There is a purpose inside him, but he never realizes it because he never lets himself He is too easily swayed by others. Too easily caught up in mischief. Too easily seduced. This story chronicles this sad man's life. His spineless nature leads him from one tragedy to another. As the title suggests, the ultimate realization of all of this is that he is no longer human. My interpretation is that he lacks humanity because he lacks that which makes humans human.

I've heard it argued I believe it was Sartre that what differentiates humans from the animals is that we humans have direct agency over ourselves. We can will ourselves to accomplish things, both large and small. Animals, on the other hand, are forever driven by base survival instincts.

They do not create for the sake of creation. They do not purposefully plan. They don't set goals. They exist purely in the moment, feeding whatever base desire is the most pressing. That is Yozo Oba in this story. He is tragic because he lacks agency over himself. There is a conversation in the book about whether human life is comic or tragic. They decide that it is ultimately comedy. If he were truly human, then his misfortunes could be seen as a collection of mishaps, of accidents, and comedy could be one means of understanding such a life of misfortune.

But instead, our protagonist lacks humanity. He is tragic through and through. Nothing is accidental, but it is instead directly caused by his lack of direction and agency. If he had only made choices, if he had only followed through with anything, so much of his troubled life would have been better, and those moments of misfortune could be reflected upon through a lens of comedy.

But no. Not here. Not for this man. I didn't like the character. I despised him. I felt sorry for him, though. I continuously hoped he would change, but eventually I realized he couldn't. There is a lot to take away from a book like this.

I mean it is chunky. And I feel so guilty that this adaptation is� getting 5 stars, while the original got 4. Why did I enjoy this more? More visceral, for one. Yeah, not here. I have been poking away at this since I finished the original a couple of weeks ago, reading a bit every day.

One or two scenes I think about quite literally every single day. What a gut punch. There is also the liberty that Ito takes with the story, adding to it in just the right places. My oh my, it flourishes.

The experience is second to none. Coos Burton. Muchos aspectos de esos cambios que hace me gustaron, pero otros me dejaron un poco indiferente. Las ilustraciones son fabulosas, como siempre. El tema es la parte narrativa, la historia se desmadra mucho y se torna confusa y repetitiva. Orrin Grey. Author 85 books followers. This was my first experience with Osamu Dazai's novel No Longer Human , which has been considered his suicide note and which is, at least in this form, a haunting and painful tale of, well, lots of things, but perhaps mostly misery and the ways in which our own misery leads us to inflict misery on others.

This is not a pleasant story. It is about heartbreak and depression, sexual abuse and addiction, and a whole range of topics that are more raw and human and, sometimes, more grotesque than the terrors conjured by horror fiction.

It's a naturalistic and "literary" story compared to Junji Ito's usual supernatural horror fare - painful and sad where those stories are often shocking and funny and, yes, sometimes painful and sad. What's fascinating about this book is watching Ito adapt his signature style - which is, if anything, just as weird and terrifying and beautiful here as in his horror tales - to this different mode. But then, one of the themes of No Longer Human is that every story is a ghost story, after all.

Junji Ito, un autor que me fascina retoma los elementos esenciales de la novela, y la reconvierte en una obra muy de su estilo. Vincenzo Bilof. Author 37 books followers. A masterpiece. While I appreciated Ito's ability to make this spooky without any monsters, I found that this reflected the source material a little too closely, so to speak - my god, the misogyny!

Why take responsibility when you can blame a woman, right? On top of that, I couldn't help but have flashbacks to the first time I read The Great Gatsby and reeled at how deeply unlikable the main character was, how little I could identify with his struggles when most of them were made by his own hand and were easily fixable, given that he's from a rich, influential family.

It wasn't bad, but I wasn't enthralled like I have been by Ito's original works. I'm a fan of Ito's previous works but this adaption just felt so obtuse and strange for him.

The content was completely gross sometimes and not in his usual horror way! It prominently features child sexual abuse. The main character is an awful person who made me want to shut the book and walk away from it. I would not suggest this work to others.

Painters who have had this mentality, after repeated wounds and intimidations at the hands of the apparitions called human beings, have often come to believe in phantasms � they plainly saw monsters in broad daylight, in the midst of nature These, I thought, would be my friends in the future.

I was so excited I could have wept. It's great as an adaptation not because it's a literal scene-by-scene rendering though it is fairly accurate but because it captures the bleak, nihilistic atmosphere of the original in its own medium. Dazai uses tortured internal monologues to express the protagonist's despair; Ito externalizes this despair through images. Even repentance and salvation are mood-dependent and can't be sustained.

This graphic novel is a departure from Ito's trademark narratives, interpreting as it does a Dazai classic that stands as one of the best-ever selling books in Japan. While the original seems to have focused on the sadness and pathos that marked the existential crisis that our lead who seems to have been patterned after Dazai himself labored under, true to Ito's style this book lets the horrors and absurdities of his experiences take the limelight.

I can't help but feel for Yozo. As a kid, he had an uneasy, pessimistic streak that he tried to hide under a buffoonish exterior, a mask that he soon regarded as tiresome but which he felt he can never take off. The abuse he suffered from lecherous servants must have cemented in his mind how untrustworthy and scary people generally are.

It's a good thing he didn't end up a twisted sociopath, though there were instances when he was teetering on the edge of that abyss. He did become dissipated, profligate, and keen to keep bad company - vices that only worsened as time went by.

He inadvertently? It seemed like death and the love of women came to him easily, like a song that broke the monotonous buzz of despair and dread that continually consumed him. With such a fair face, he can't help being a lady's man.

It may have served his women better if they took a more critical peek at his art, if only to see the demons he was harboring within. This is one of the exceedingly few works I've read that deal with a Grade A homme fatal. Still I can't help but root for him. If you've undergone a spiritual malaise just like our lead, you'd understand the prodigious effort it takes to rise from all that weakness and pain.

There's one point where it seems like he really had a chance. Question is - will his Beatrice be able to save her Dante? That final image though - it's just so apt. Somehow it seems absolutely, painfully inevitable. This all spurred my interest in the Dazai novel, which I shall be reading soon. The artwork is impressive but the story is unpleasant and Oba's character is even more unpleasant. I have yet to read Dazai's novel, but this makes me not want to read it.

I sort of wish I hadn't gotten involved at all. Can't rate, won't rate This was a very dark, very hard read. Junji Ito's illustrations are brilliant as always. This is going to be another one that I have trouble recommending but it really is great. Rod Brown. An unpleasant and unappealing semi-autobiographical iteration of the artist as a tortured soul is adapted into a quasi-horror manga by Junji Ito filled with dread and supernatural flourishes.

I haven't read the original novel, but my understanding is that Ito has taken many liberties, including the insertion of original author Osamu Dazai as an actual character. Dazai's stand-in, Yozo Oba, seems to suffer from trauma and impostor syndrome due to childhood molestation and daddy issues. To compensate he becomes a class clown and womanizer in attempts fit in with other people -- from whom he feels separate and whom he hates and fears.

He carves his way through the lives of others leaving suicide and murder in his wake, periodically attempting suicide himself. This is the ultimate in art by Ito, proof that nothing can surpass the terror of the human psyche. Junji Ito made his professional manga debut in and since then has gone on to be recognized as one of the greatest contemporary artists working in the horror genre.

His titles include Tomie and Uzumaki, which have been adapted into live-action films; Gyo, which was adapted into an animated film; and his short story collections Fragments of Horror, Shiver and Frankenstein, all of which are available from VIZ Media. No Longer Human Junji Ito.

Eligible info. Mine has been a life of much shame. Depicting everything awful yet lovely about life, No Longer Human is already an amazing novel but, including my boi Junji Ito's illustrations only added an extra layer of despair and eeriness. A very bitter tale yet, reading this as a young adult who has dabbled in the a few of many sins of mankind I cannot help but feel that we may have a Yozo Oba in all of us. If you do not know anything about the author I recommend researching his history.

It adds to the experience of this story or Just kidding. Anyways, it's a good read with good pictures. Don't pass a story like this up.